Vendetta finally have taken the plunge and repressed this minor doom metal classic from Mannheim’s B.son.
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Vendetta finally have taken the plunge and repressed this minor doom metal classic from Mannheim’s B.son.
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On my shelf the only albums by multi-player projects named after the members must be by Flower/Corsano, Twells&Christensen, and Fenn O’Berg.
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Like so many other electronic musicians, Guido Möbius, not to be confused with Cluster’s Dieter Möbius, has an issue with lyrics.
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While not necessarily Foxy Digitalis’ daily bread, this hardcore energy overdose ranks among the most aggressive recordings I’ve heard in years.
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Apart from the odd Hauschka or Goldmund release, the field of experimental piano has been practically deserted in the last years – or rather, there was a shortage of high profile releases.
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Full disclosure: I’ve been an ardent follower of Terror Bird’s synth pop gothics since the debut tape “Sociopaths Are Glam”, and their “Human Culture” album was one of my favourite albums of 2011.
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Erik Skodvin’s Miasmah label has made a name for itself by means of a very clear-cut focus on dark ambient and modern composition.
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Is it just me or has there been a resurgence recently in what used to be called “electronica”?
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One in a continuing string of split eps on various formats, this nicely presented 10” on Vendetta sees The Austrasian Goat and Hallowed Butchery share a conceptually ambitious release.
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This is that kind of album that doesn’t mention a band’s email or website on its sleeve.
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This 7” was put out in a collaborative effort of as many labels as there are tracks on it.
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Wow, Berlin’s Karaoke Kalk label has been on a roll recently: I really enjoyed the diverse approaches to beats used by Static and J.R. Plankton, and now I’m impressed by the new Tolouse Low Trax album
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Apologies to all involved: This CD has been sitting in my review pile far too long.
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