Hyperbubble’s Drastic Cinematic is not dedicated to any musical heroes, but to Jean-Luc Godard
Read More »
Hyperbubble’s Drastic Cinematic is not dedicated to any musical heroes, but to Jean-Luc Godard
Read More »
HN is ostensibly a Blue Sabbath Black Cheer record, but it’s also a collaboration.
Read More »
Christina Kubisch’s latest album, Magnetic Flights, is so solid, so excellent, that I’m tempted to write, “it’s solid gold” and leave it at that.
Read More »
Ty Segall’s latest, “Goodbye Bread,” is a winning combo of Ty Segall’s idiosyncrasies and influences.
Read More »
Diatribes is the duo of D’Incise on laptop and “objects” and Cyril Bondi on drums and “percussions.”
Read More »
The Sirens Too Sang That Way by Meddlesome Meddlesome Meddlesome Bells is a confused album.
Read More »
Tristeza in 2011 sounds much the same as Tristeza in 2001.
Read More »
Exploded Star Sad Servant’s Heavenly Sedated brings up a question about drone music – for just how long can a drone remain static and still be interesting?
Read More »
Funky Frauleins does not disappoint if you are indeed looking for funky frauleins, though one is left with the nagging suspicion that volume one is probably better, that they might have been not scraping quite the bottom of the barrel, but still a little too close to comfort to the bottom of the barrel,...
Read More »
Ghoul Poon’s Bastard Sorcerer seemed destined for a low review based on the idioticy of their name, but – but – I could have gotten past that, if not for the music.
Read More »
Lord Jeff’s self-titled release is a slow starter.
Read More »
Hiroshima Bird Market’s self-titled release grabs one’s attention immediately, starting with the packaging.
Read More »
Byron Westbrook’s Corridors is really more of an installation than a CD.
Read More »