There seems to have been some rough stellar conditions at the Space Weather satellite for the recording of their second album.
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There seems to have been some rough stellar conditions at the Space Weather satellite for the recording of their second album.
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Kim Doo Soo, the South Korean reclusive boho folkster, releases a new album only a mere two years after his “Ten days butterfly” came out on the mythic PSF label.
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A stretched orchestra of strings, elegiac swoops, piano boom in the bass, tinkling piano highs.
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This album seems intriguing because of its use of unique, self-built instruments.
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Another solid slab of deconstructed rock, though operating in a different field then their usual style of out there No Wave/Dead C skronk.
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This LP comes packaged in a lovely charcoal grey jacket with a nameless map suggesting an imaginary topography that might accompany its sound. It’s the perfect outer cover for a mysterious and patient set of music.
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I’m not familiar with Amish Records’ extensive back catalogue, but based on this LP and the excellent Bird Show Band album, they’ve had a hell of a 2010.
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Luigi Russolo’s Futurist manifesto, “The Art of Noises,” written in 1913, highlights the use of noises in musical compositions in relation to the industrialization of the world.
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This 3″ offers five tracks of dark, meandering, reverb-soaked guitar and voice.
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