Posts Tagged ‘ Debacle Records ’
Debacle Records announces DBL | LTD
Sam Melancon is taking yet another giant leap for his growing Debacle empire with the introduction of DBL | LTD this week, a truly exciting enterprise launched just weeks after the amazing label’s first dive into the foray of vinyl offerings with Dull Knife’s excellent new LP. DBL | LTD is a limited edition clothing...
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Great Falls & Kenji Siratori, “s/t”
Intense vocal narrative corresponds with dynamic noise, as these collaborators build extreme patterns and themes, only to play within their decay and fallout.
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Brain Fruit, “1.1”
The Seattle electronic duo of Christopher (Owens) Davis and Jonathan (James) Carr lay it out here on the always-entertaining Debacle imprint.
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Megabats “Solaria”
Yeah, there’s a lot. A lot like it.
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Secret Colors, “Confusion Control”
I had my doubts going in.
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Blue Sabbath Black Cheer + The Rita, “Drowning Witches”
Blue Sabbath Black Cheer and The Rita team up to fill the world with gloom and hatred.
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Cough Cool, s/t CDr
CD reissue of Cough Cool's relaxed debut tape of ambient, minimal pop and repetitive, decaying instrumentals.
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Hobo Cubes, “Timeless / Mindless” CDr
With Timeless / Mindless, Hobo Cubes and Hobo Cult head honcho Frank Ouellette takes his blurry solo synth excursions to cleaner and brighter territories.
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Paintings for Animals, “Kristeater”
Paintings For Animals is the doing of Olympia, WA’s Pearson Wallace-Hoyt, encompassing an array of darker and experimental layers of drone in many solo and collaborative projects.
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Food Pyramid, “New Omni-Directional Healing Techniques”
Above other aspects, the music on this new album by Minneapolis-based group Food Pyramid (“New Omni…” is a lengthy follow up to their prior cassette releases on the Moon Glyph label) is captivating in its slow, sedate development, with the group doing a good job of creating a musical atmosphere that is involving and...
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Brown Cloud, “Sax By Candlelight”
It is impossible to evaluate this album by the trio, who proclaim themselves as “the worst band in Seattle,” without considering the impossibly goofy artwork, which is some of the best I’ve seen in recent memory.
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