It would be fair to say that Rich Osborn has been around since the beginning of the American Primitive movement spawned by Robbie Basho and John Fahey.
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A common issue I often have with extended, solo guitar pieces, particularly those emerging after the most significant Takoma school work, is that due to its singular point of origin and fetishized physicality, its reduction to strings, frets and equipment, the methods for listening to the guitar in this context feel limited to pre-established...
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