Directors Guy-Marc Hinant and Dominique Lohle explore current trends in Chinese Noise, splicing together a quilt of music, interviews, scenes of Shanghai and Beijing, and the odd political manifesto or two.
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Posts Tagged ‘ Sub Rosa ’
Bathetic
Blackest Rainbow
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Debacle Records
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NNA Tapes
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Sub Rosa
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Type
Weird Forest
“Fuck You: Fucking Noise in China Now” DVD
DAT Politics, “Blitz Gazer”
French IDM/electro-pop group DAT Politics have released close to a dozen albums since forming in the late ’90s.
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Don Preston, “Filters, Oscillators & Envelopes 1967-82″
Mothers of Invention keyboardist extraordinaire gets the Sub Rosa treatment with this maxed-out comp of Don Preston’s experimental work.
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Jean-Luc Fafchamps, “KDGhZ2SA, A Six-Letter Sufi Word”
For ten years Belgian composer Jean-Luc Fafchamps has written music inspired by and named after the 28 letters of the Arabic alphabet.
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Marianne Pousseur, “Only”
This is precious in the best sense of the word—an intensely personal document whose content speaks for itself.
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Dub Taylor, “Lumière”
Unavailable since it’s initial release in 1973, Sub Rosa presents the synthesized concrète piece, Lumière, from U.S. composer/producer/engineer Dub Taylor.
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Winter Family, “Red Sugar”
This second album by the duo of Ruth Rosenthal and Xavier Klaine is a tense, sometimes cathartic journey.
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Charlemagne Palestine & Joachim Montessuis, “Voxorgachitectronumputer”
This 2007 collaboration between Palestine and laptoppist Montessuis comes very close to being a stone-cold drone masterpiece at points, but Charlemagne’s aggressive eccentricity makes some parts a bit hard to take.
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Daniel Menche, “Feral”
Aiming at creating an intense image in the listener, Daniel Menche has commissioned four long tracks to CD on Belgium’s Sub Rosa label.
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Morton Feldman, “Triadic Memories”
Jean-Luc Fafchamps stays true to the Indeterminate pioneer's vision.
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V/A, “Wasa Wasa / Fabulous Rhythm’n'Blues Shakers on the Dancefloor 1952-1968 compiled by Dr Boogie” LP
Deja Music. OK – that is bad but it fits. The sounds on the disc are raw but very familiar.
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Jean-Philippe Collard-Neven, “Fleeting Music”
What makes a release experimental or at the very least be promoted to a more progressive audience?
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Year End List, 2010
Best Album Big Boi, “Sir Lucious Left Foot: Son of Chico Dusty” (Def Jam / Purple Ribbon) Awww, what the hell. I had Sufjan Stevens at this slot on my blog, and I guess I figured this Foxy feature was like a second chance to redeem myself before it’s too late. Honestly, Big Boi’s solo...
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