This collaboration between High Wolf and Neil Campbell of Astral Social Club plays to the strengths of both artists, with the result sounding quite cozy indeed.
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This collaboration between High Wolf and Neil Campbell of Astral Social Club plays to the strengths of both artists, with the result sounding quite cozy indeed.
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Made up of songs taken from various limited cassette releases spanning the past couple of years, Object Permanence is a lengthy and sometimes patience testing collection of songs from a duo who seem to spend as much time trying to decide what on earth they want to be as they do creating music.
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All respect to my beloved Finland and its proud black metal tradition, but you’ll have to excuse me if I think this sounds a bit ridiculous.
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Best Album Peaking Lights, 936 LP/CD/tape (Not Not Fun) I’ve listened more often to this album than to any other that has come out in recent years. The bass, the vocals, the songwriting, it’s all just perfect. Initially I thought it would be a soundtrack for the summer only (“All the Sun That Shines,“ no less!)...
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Mudboy, the persona of fringe-y musician and artist Raphael Lyon, has been turning out releases since way back in 2005, when a CD-R called This Is Folk Music appeared on the Last Visible Dog label.
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I’ve heard and read so many people saying 2011 was a bad year for music. Where are these people looking? What are they listening to? Because it’s certainly not been my experience of the year. For me 2011 has been one of the most exciting years in a long time, with more variety than...
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Terrors. Like the way you felt when you first heard Idaho, like the way you felt when you first heard “There’s No-One Which Will Take Care Of You,” and like the way you feel listening Barn Owl.
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These tapes are getting tougher and tougher to approach. Or maybe it’s just Colour Bük in general, a duo of guitar/drone experimental noise nut jobs from NYC who use something called a “vibrator technique” to achieve some of their sounds—a process I’m happy knowing as little about as possible.
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The ever-impressive Weird Forest have brought together various past Terrors releases to make up this excellent compilation.
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Sarah Lipstate returns with another delicious treat—and this one is the tastiest yet.
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This release, by long-time collaborators Davy Bui (head of the Weird Forest label) and Matt Kretzmann, was mastered by Graham Lambkin, and as you would expect from a first-rate collaboration of musicians such as this, the level of skill demonstrated on the album is very high.
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