I am sure that there are more than a few fans of Mr. Hazelwood at Foxy but in case you folks didn't know, I'm sharing this bulletin I received today from Film Director Allison Anders:
His Autumn Done Come:
It is with great sadness that we announce that LEE HAZLEWOOD has died peacefully at his home outside Las Vegas, USA, after a three year struggle with cancer. He celebrated his 78th birthday earlier this month surrounded by family and friends from around the world. He passed away on August 4th, 2007, in Henderson, Nevada, and is survived by his son Mark, his daughters Debbie and Samantha, and his devoted wife Jeane.
For over half a century, LEE HAZLEWOOD proved himself to be one of the most ingenious, inspired and impressively stubborn sons-of-a-bitch the music industry ever saw. His career – a word that HAZLEWOOD himself scorned – saw him take on almost every aspect of the music industry – a word that HAZLEWOOD himself was equally dismissive of – and come out on top every time. Most famous for his work with Nancy Sinatra – he wrote and produced many of her biggest hits, including These Boots Were Made For Walking, Sugartown and the unforgettable Some Velvet Morning – HAZLEWOOD in fact started his musical career as a DJ in Coolidge, Arizona. It was here he first met Duane Eddy, with whom he began to flesh out and record some of his songs. In 1955 he set up Viv Records and in 1956 hit paydirt with Sanford Clark’s legendary The Fool, and the following year he gave up DJing to focus on production and writing. In the early 1960s he established the LHI label (which is best known for having released the debut album by Gram Parson’s first group, The International Submarine Band) and began releasing his own solo albums, including the extraordinary "Trouble Is A Lonesome Town".
In the mid sixties, in the face of The British Invasion (led by the likes of The Beatles), HAZLEWOOD retired to the shadows (where he was always most comfortable) only to be reluctantly dragged out to work with Nancy Sinatra. Their work together – including the iconic Boots – was an overnight success and saw her become a star in her own right worldwide, but she also insisted that HAZLEWOOD step out in front of the microphone himself, leading to the release of three "Nancy & Lee" albums.
In the early 1970s HAZLEWOOD moved to Sweden to ensure his son was not drafted by the US military. He recorded a series of solo albums there as well as collaborating with film director Torbjörn Axelman, but then ‘retired’ again, working only occasionally over the next two decades. Instead he began to follow an itinerant lifestyle which he pursued until very recently, living in Ireland, Germany, Spain and of course America. However it was the rediscovery of this work two decades later by a new generation of musicians – including the likes of Sonic Youth, whose drummer Steve Shelley tracked HAZLEWOOD down and reissued a number of his solo albums on his Smells Like Records imprint – that led to a resurgence of interest in his work as a performer. In the late 90s he returned to the studio to record the typically cryptically titled standards album "Farmisht, Flatulence, Origami, ARF!!! and Me", and in 1999 he returned to the stage at the invitation of Nick Cave who was curating that year’s Meltdown Festival in London. Following a sold out show at the Royal Festival Hall he sanctioned the release of two albums of unreleased material, most notably "For Every Solution There’s A Problem", toured Europe, and then returned to the studio to record his final album, "Cake Or Death", which was released to worldwide acclaim in 2006.
HAZLEWOOD’s music has always been a staple of movie soundtracks, but it has continued to become more and more fashionable, regularly turning up in films as diverse as The Dukes Of Hazzard – which saw Jessica Simpson perform These Boots Were Made For Walking for the title track – and the arthouse flick Morvern Callar – which used Some Velvet Morning to great effect.
The family have requested that those wishing to honour LEE HAZLEWOOD should make donations to the Salvation Army…
Kiss all the pretty ones goodbye Give everyone a penny that cry You can throw all my tranquil' pills away Let my blood pressure go on its way For my autumn's done come My autumn’s done come. Lee Hazlewood, My Autumn’s Done Come
A bit of an experiment this. Below are 32 one-line reviews, done old school, in pen and ink. Hopefully they're legible*. An accompanying podcast should follow shortly.
Free Form Freakout, a weekly radio show on KMSU in Mankato, recently aired a one-hour feature on De Stijl Records from Minneapolis...
blogpost :: by fffreakout@hotmail.com (Free Form Freakout)
032010 message _ end of hibernation new synth age / new rural / new sabbat SYNTH012 INNERCITY "Visions from dream state" limited 70 An animated semiotic d...
blogpost :: by Synth / Ruralfaune
v> v> v> v> v> v> v> v> v> Foxy contributor and Digitalis Ltd artist Peter Taylor releases his third full length effort under the Mortuus Auris guise...
blogpost :: by Peter Taylor
Bis auf’s Messer Berlin’s Bis auf’s Messer emporium has all bases covered. From two rooms in the Eastern borough of Friedrichshain, Robert and Stefan run a store and a mailorder operation, they organize gigs, and not one, but two labels... feature :: by Jan-Arne Sohns
Neon Marshmallow Fest Recap More so than perhaps any festival on the radar, the lineup itself was truly the draw of Chicago’s inaugural Neon Marshmallow Fest, the four-day cornucopia of experimental music of all stripes.... feature :: by Travis Bird
Donovan Quinn Donovan Quinn has already proven himself to be one of the more gifted folk-pop songsmiths of the past decade through his work with Verdure and The Skygreen Leopards... feature :: by David Perron
11 August, 2010
Operative Many readers of Foxy Digitalis will be familiar with the respective work of Scott Goodwin, Spencer Doran, Alex Neerman, and Jed Bindeman... feature :: by Jordan Anderson
