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This is the first installment in a new regular column devoted to the 7" single format from Mike Pollard (of Arbor Records). As oftentimes 7"s seem to overlooked or neglected (never!) here at Foxy Digitalis (and many other publications, too), Mike's taken it upon himself to help remedy that problem. .. feature :: by Mike Pollard
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On first glance the 7” seems to be the antithesis of noise. It is only possible to fit a seven minute song on each side and maintain some level of listenable volume. In the 50s and beyond it was used by record companies to send the single to radio station before the album was released and then it was in jukeboxes across the nation. I cannot think of more than 5 experimental music 7”s that were merely a ‘single’ and I’ve for sure never come across a Merzbow jam in a jukebox(but then again I don’t see many operable jukeboxes around either). It is a truly interesting experiment for a modern noise musician normally crafting 15-infinity minute long tracks to be confined to 2 sides of 7” vinyl, one that when done correctly provides a succinct and truly wonderful piece of music. .. feature :: by Mike Pollard
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Over the past few years, Sir Richard Bishop has been mesmerizing audiences across North America, Europe and Australia, with his raga/jazz/rock-infused work for solo acoustic guitar. He has also released a string of magnificent solo recordings for both acoustic guitar and electronic experimentations. In the very near future the Locust label will be unleashing his latest effort entitled “While My Guitar Gently Bleeds” along with the DVD premier of his film “God Damn Religion.” He is currently on tour in North America with Animal Collective; catch him if you can... feature :: by Cory Card
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According to their website, Seattle’s Sublime Frequencies “is a collective of explorers dedicated to acquiring and exposing obscure sights and sounds from modern and traditional urban and rural frontiers via…field recordings, radio and short wave transmissions, international folk and pop music, sound anomalies, and other forms of human and natural expression not documented sufficiently through all channels of academic research, the modern recording industry, media, or corporate foundations.” A laudatory mouthful to be sure, but a perfect description of the hidden treasures that the adventurous listener will discover throughout this series... feature :: by Jeff Penczak
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Sacred Bones Sacred Bones is a young label, a label which through a choice few records has blossomed into a force to be reckoned with... feature :: by Peter Taylor (27 May, 2009)
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Saddleback With two splendid albums on Australia’s Preservation imprint, Tony Dupé, aka Saddleback, deserves to be a household name... feature :: by Jan-Arne Sohns (19 December, 2007)
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Sailing Conversations, Volume 1: Sublime Frequencies Sublime Frequencies is a record label based out of Seattle that began in 2003. .. feature :: by George Glikerdas (8 September, 2009)
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Salt of Several Seas Jason Honea has been a major contributor to many of the finest projects housed in the Jewelled Antler forest. .. feature :: by Bruno Parisse (17 June, 2008)
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Samara Lubelski .. feature :: by Brad Rose (28 June, 2005)
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Sanso-Xtro Sanso-Xtro.. feature :: by Neddal Ayad (1 July, 2006)
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Satwa .. feature :: by Brad Rose (17 June, 2005)
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Schroedinger's CD-R, or, I Was a Teenage Pussy Hound .. feature :: by Stephen Clover (2 September, 2005)
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Secret Stars .. feature :: by Eden Hemming Rose (14 June, 2005)
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seht seht is the creation of one native New Zealander, Stephen Clover. Over the course of a dozen releases for labels such as Celebrate Psi-Phenomen and Last Visible Dog, among others, he has burrowed out his own niche. .. feature :: by Brad Rose (1 July, 2006)
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Short Cuts Vol. 2 A regular column devoted to the 7 single format from Mike Pollard (of Arbor Records)..... feature :: by Mike Pollard (17 July, 2007)
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Short Cuts Vol. 4 On first glance the 7” seems to be the antithesis of noise. It is only possible to fit a seven minute song on each side and maintain some level of listenable volume... feature :: by Mike Pollard (29 August, 2007)
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Short Cuts Vol. 5 Fifth installment in an ongoing series..... feature :: by Mike Pollard (11 September, 2007)
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Short Cuts Vol. 6: Static Aktion Taking a page out of my “boss’s” book, I present the first Short Cuts label spotlight... feature :: by Mike Pollard (24 October, 2007)
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Short Cuts Vol. 7 Seventh installment of this ongoing series... feature :: by Mike Pollard (19 December, 2007)
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Silence Music Silence Music in Sweden has been documenting outsider folk and such from the land of Three Crowns for years. Their latest batch of reissues focuses on the music of Bo Anders Persson (Träd, Gräs och Stenar, International Harvester, etc)... feature :: by Jeff Penczak (11 December, 2006)
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Simon Finn .. feature :: by Brad Rose (18 June, 2005)
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Six Organs of Admittance .. feature :: by Brad Rose (18 June, 2005)
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Skare Krau Radio What follows is an interview that, and I will go so far as to boast, truly gets at the heart of East St. Louis band Skare Krau Radio, a collective whose live performances (or Warning Orbs) are legendary..... feature :: by John Ganiard (27 October, 2009)
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Skeletons Out Skeletons Out is the duo of Howard Stelzer and Jay Sullivan. .. feature :: by Howard Martin (14 July, 2009)
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Smoking Bottles & African Triumph: 2007 in Review Your editor-in-chief looks back at the year that was 2007... feature :: by Brad Rose (7 January, 2008)
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soccer Committee soccer Committee is the solo project of Dutch artist, Mariska Baars... feature :: by Brad Rose (18 September, 2007)
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Social Junk Social Junk have seemingly moved all over the place in the past 18 months, but considering their all-over-the-map output, it's pretty damn fitting... feature :: by Brad Rose (22 July, 2009)
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Sonic Circuits Festival Relatively new, but building up to ridiculously high profile, Sonic Circuits hosted their second annual festival the last full week of September. .. feature :: by Andrew Murdock Livingston (6 October, 2009)
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Stag Hare This solo peace drone band out of Utah by Garrick Biggs has gotten some attention the past year or so mostly from his third album “Black Medicine Music.” .. feature :: by George Glikerdas (18 November, 2009)
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Steffen Basho-Junghans Berlin in October can be horrifying. In many years it was just cold and grey. This year however, the sun has been shining every day. When we visit Steffen Basho-Junghans in his apartment and studio in East Berlin, he is about to complete one of the tunes for his new album, entitled ‘Days of the Dragon’ to be released in the ‘Wooden Guitar Series’ on Locust Music later this year... feature :: by Stephan Bauer & Jaro Straub (31 October, 2005)
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Stephen Clover looks at 2006 Twothousand'six flew by and I think we're going straight to hell with Saddam... feature :: by Stephen Clover (9 January, 2007)
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Stephen Lawrie Stephen Lawrie has headed up The Telescopes since their 1988 debut... feature :: by Scott McKeating (1 September, 2009)
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Steve Gunn Steve Gunn plies his trade in the Northeast, calling Brooklyn home. .. feature :: by Constantin Dubois (2 September, 2008)
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Steven R. Smith .. feature :: by Brad Rose (15 June, 2005)
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Storsveit Nix Noltes Storsveit Nix Noltes.. feature :: by Stephan Bauer & Jaro Straub (2 July, 2006)
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Strange Attractors Strange Attractors.. feature :: by Jeff Penczak (1 July, 2006)
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Sufjan Stevens We all know who Sufjan Stevens is.
Most heard Michigan.
More will probably hear Illinois.
But this... this is probably something you didn't know.
And yes, these two know each other... feature :: by Michael Kaufmann (30 June, 2005)
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Sunbeam Records Sunbeam Records is a new UK-based reissue label co-founded by Steven Carr and music journalist Richard Morton Jack. Tremendous music enthusiasts both, they are dedicated to scouring the nooks and crannies of the musical world to reincarnate screamingly rare, criminally underappreciated rock, folk, and psychedelic albums, along with exciting new releases that other labels have overlooked…until now!.. feature :: by Jeff Penczak (1 July, 2006)
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Susanna and the Magical Orchestra .. feature :: by Eden Hemming Rose (28 June, 2005)
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Szam Findlay Vancouver-based prodigy Szam Findlay is a master in the creation of dark and densely layered industrial orchestrations. His debut, and subsequently only album, Die Hautfabrik was eight years in the making before it arose from the murky depths of the Canadian music scene... feature :: by James Clarke (18 December, 2006)
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