a  b  c  d  e  f  g  h  ij  k  l  m  no  p  qr  s  t  uv  w  xyz  v|a  0!9 
Taro Kawasaki "Sing Me a Song"


For one reason or another I barely play video games anymore. I suppose hobbies that I have merely for the sake of fun have slowly been whittled down to a couple of television shows. I’m not sure If I still miss it that much. However, this is not to say that all my time playing video games was spent in vain. Often I had an endorphin-releasing glee that competes with that of music or a particularly well-crafted poem. One of those games was a simple Japanese game for the Playstation 2, entitled ‘Katamari Damacy’. The aim of the game is simple. The king of the cosmos got drunk and dirtied up the universe, getting rid of some starts. Your job as prince is to roll a big ball around and collect junk and then the king, if he likes the size, sends the thing into space. It wasn’t the concept alone that made the game endless fun, it was its incredibly deep and well-produced soundtrack and quirky art-direction that made it border-line art. Elements of Glitch, hip-hop, orchestral music, it was really wonderful.

Kawasaki’s pleasantly packaged, limited 3-inch CD brings back, in its lulling guitar-glitch subtlety, the times I would let the ambient menu music of Katamari Damacy just sort of entrance me, the innocent prince and his friends roaming around the interactive main screen. This tiny EP is a brief 9 minutes, severed rather arbitrarily into four movements: ‘Plouf’, ‘Poche’, ‘Cloudlet’, ‘Fossette’. These titles evoke something marshmallow-y and soft but it sort of belies some the crisp, sharp acoustic guitar trippings and crystalline near-percussion going on. It reminds me a little bit of The Books during their softer moments. These 9 minutes don’t build up to anything particularly memorable, and hopefully this is just a taste of what Kawasaki has to offer. Really, ‘Sing Me a Song’ doesn’t seem to be much more than a tiny reverie, a brief ten minute break from the day. But since I don’t have the leisure to stare lazily at the menu screen of a quirky Japanese video game, I need whatever break I can get. 7/10 -- John Ganiard (3 December, 2008)

a  b  c  d  e  f  g  h  ij  k  l  m  no  p  qr  s  t  uv  w  xyz  v|a  0!9 
 
other new reviews....
15 September, 2010
Lucky 13 Jani Hellén's 13,000,000th dream.. podcast :: by Jani Hellén

10 August, 2010
Early Women Composers A collection of tracks from some of the best female composers this century... podcast :: by Brad Rose

5 August, 2010
Hobo Cult #1 First set of tunes from the man behind Hobo Cult/Hobo Cubes... podcast :: by Frank Ouellette

15 July, 2010
LAFMS Podcast #1 A selection of tracks from the might Los Angeles Free Music Society.. podcast :: by Andrew Murdock Livingston

3 July, 2010
ALPHACAST A collection of songs from the mighty Colin Ward AKA Alphabets in celebration of the ALPHABOX release... podcast :: by Brad Rose
 
 
menu
26 September, 2010
The New Foxy Digitalis Check out the new site.... feature :: by Brad Rose

8 September, 2010
Ernesto Diaz-Infante Since the mid-nineties, composer/guitarist Ernesto Diaz-Infante has been releasing some of the most boldly unclassifiable and uncompromising music that spans an unbelievably wide range of sounds... feature :: by David Perron

Horaflora Horaflora is San Francisco-based musician Raub Roy. .. feature :: by Mike Pursley

1 September, 2010
Bis auf’s Messer Berlin’s Bis auf’s Messer emporium has all bases covered. From two rooms in the Eastern borough of Friedrichshain, Robert and Stefan run a store and a mailorder operation, they organize gigs, and not one, but two labels... feature :: by Jan-Arne Sohns

Neon Marshmallow Fest Recap More so than perhaps any festival on the radar, the lineup itself was truly the draw of Chicago’s inaugural Neon Marshmallow Fest, the four-day cornucopia of experimental music of all stripes.... feature :: by Travis Bird

25 August, 2010
Little Fury Things Padna’s own Nat Hawks runs a rad micro-label out of Brooklyn with an even radder name! .. feature :: by Dave Miller