Turntablist and “sourcerer” Philip Jeck and keyboardist Marcus Davidson create a gorgeous slice of atmosphere on the tenth installment of the UK label’s artful 7-inch series. On side A, cosmic keyboard masses loom ominously amidst subtle rhythmic swirls, with phasing effects used prominently. Side B is quieter, with keyboards almost resembling soundtrack pieces, and the rhythm reduced to a whisper, creating an environment in which every sound has value and takes the piece in a different direction. This is masterfully and subtly composed, with the timbres between Jeck’s prerecorded material interleaving with Davidson’s keyboards to form sublimely restrained, unresolved swells. 9/10 -- Travis Bird (25 August, 2010)